As you examine the artwork on these pages, you may notice several
characteristics: They employ a bold and vivid use of color, even
while staying representational in nature; they contain a high
level of detail, particularly in the colors; and the image
portrayed begins very close to the viewer. The use of color
and emphasis on details is most evident in my pastels (see
the Main Gallery), but you can also see
it in my Asian-style paintings (see the
Asian Gallery.
In Asian ink brush paintings, "color" is taken to mean shades
of gray. While a painting may consist only of shades gray with
black and white, one can still see the lush green of a meadow in
springtime, or the bright reds of a hillside in autumn. Here, the
colors are either muted, or exist entirely within the mind of
viewer... but they are indisputably present. You may read more
about this in my page on techniques.
A great many artists start their landscape paintings at a distance of
20 feet or more from their easels. This is a recommended procedure
found in many art books and it produces a comfortable image with normal
perspective. However, I desire to achieve a very intimate painting.
The viewer should feel what I feel, entering into the painting in the
same way that I enter into the beauty that I see. For this reason most
(but not all) of my paintings begin within a yard or two of my own
feet.
For the same reasons, nearly all of my paintings are plein air
paintings -- they are nearly entirely painted on location, with
minimal usage of "reference photos." In this way I best can convey
to you my most honest and intimate impressions.
Color, detail, and honesty are all important to me, as these derive from
my entrancement with the marvels of the Creation which surrounds us.
Every crevice is exploding with life and color! My goal as an artist
is to express the beauty that I see, and share it with you, the viewer.
This beauty is more than superficial, as I am also a scientist and a
person of faith. Thus, the aesthetics of color and form are integrated
with those of mathematics and spirituality. I see all of these things
as God's attention to detail and beauty. This is a colorful world --
may it remain ever vivacious!
When I sit and paint, I try to allow the Lord to speak to me through
His handiwork and I attempt to express His "words" as I experience
them. If you enjoy my paintings, therefore, I hope you will allow
yourself to give praise to God (however you might understand Him)
for His Beauty which He expresses when He painted this world of
wonders.